Buku Setetes Seni Dari Balik Terali (A Drop Of Art From Behind The Bar) oleh Prof. Dr. Rahardi Ramelan, M.Sc.
| Eceran ||Tambahkan|
This book shows how Rahardi Ramelan omits conventional theory in photography that usually limits the expression of art. The former chairman of APPI (Association of Indonesian Professional Photography), who learned photography at Darwis Triadi School of Photography and painting in School of Museum of Fine Art, Boston, United States, created his own personal style of photography. With limited tools and chances he shot uncommon objects.
His work captured every abstract patterns through weird, unpredictable, yet beautiful composition which add an element of surprise. It revealed basic elements of abstract arts. The existence of lines, colors, and its focus are also well presented.
For Ramelan, a photographer is neither one who works with sophisticated and professional camera, nor a copy machine that works mechanically. A photographer is someone who should be able to translate his aesthetic taste through a camera.
From behind his prison bars, Ramelan created a new aesthetic point of view in photography which comes in harmony with the language tone of his personal expansion. A Drop of Art from Behind the Bar wants to acknowledge that photography cannot be imprisoned.
|Penerbit||:||Kompas Penerbit Buku|
|Penulis||:||Prof. Dr. Rahardi Ramelan, M.Sc.|
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